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Harry Moseby (Gene Hackman), a worn-out private detective, is hired to look for a 16-year-old girl who has run away from the luxury home of her mother, formerly a small-time actress in Los Angeles. The more the weary cynic tries to get under the surface of the seemingly simple case, the harder it is for him to find his bearings among the lies and deceptions that surround him. Eight years after the key New Hollywood film Bonnie and Clyde, Arthur Penn and Gene Hackman reunited to collaborate on what was to become one of the most undervalued films of the decade. Like Polanski in Chinatown or Altman in The Long Goodbye, in his revisionist film noir, Penn also allows the 1940s classic genre to pervade the complex reality of the 1970s. The feelings of bitterness and emptiness in the modern Chandleresque protagonist originate not only in the “public” sphere of the strange, increasingly convoluted case, but in his private life as well (boyhood trauma, a broken marriage). As Moseby remarks of a sporting event, “nobody’s winning … one side is just losing slower than the other.”星空影院桃花影院九九影院私人影院樱花影院星辰影院青柠影院神马影院三妹影院牛马影院金牌影院15个我咯咯咯的鬼太郎 第五季预兆 散步的侵略者 电影版秘果2017旋风少女 第一季七剑下天山之修罗眼舞厅杀人者的购物目录同甘共苦广岛被遗忘的我们第一季初三那年我的不和我做的费洛蒙男友破浪致单身男女绿宝石1984杰伊 比姆暗夜英雄生死钟声野原广志午餐流派赤裸与恐惧第五季梅艳芳美国之星最后的里程萌犬偷渡记拯救计划午夜巴黎2011阿尔蒂
Harry Moseby (Gene Hackman), a worn-out private detective, is hired to look for a 16-year-old girl who has run away from the luxury home of her mother, formerly a small-time actress in Los Angeles. The more the weary cynic tries to get under the surface of the seemingly simple case, the harder it is for him to find his bearings among the lies and deceptions that surround him. Eight years after the key New Hollywood film Bonnie and Clyde, Arthur Penn and Gene Hackman reunited to collaborate on what was to become one of the most undervalued films of the decade. Like Polanski in Chinatown or Altman in The Long Goodbye, in his revisionist film noir, Penn also allows the 1940s classic genre to pervade the complex reality of the 1970s. The feelings of bitterness and emptiness in the modern Chandleresque protagonist originate not only in the “public” sphere of the strange, increasingly convoluted case, but in his private life as well (boyhood trauma, a broken marriage). As Moseby remarks of a sporting event, “nobody’s winning … one side is just losing slower than the other.”星空影院桃花影院九九影院私人影院樱花影院星辰影院青柠影院神马影院三妹影院牛马影院金牌影院15个我咯咯咯的鬼太郎 第五季预兆 散步的侵略者 电影版秘果2017旋风少女 第一季七剑下天山之修罗眼舞厅杀人者的购物目录同甘共苦广岛被遗忘的我们第一季初三那年我的不和我做的费洛蒙男友破浪致单身男女绿宝石1984杰伊 比姆暗夜英雄生死钟声野原广志午餐流派赤裸与恐惧第五季梅艳芳美国之星最后的里程萌犬偷渡记拯救计划午夜巴黎2011阿尔蒂